| Calypso |
Pan in a Rage (reprise) |
| Composer |
Winston Scarborough (de Fosto) |
| Calypsonian |
de Fosto |
| Publisher |
Sanch Music |
| Orchestra |
Amoco Renegades led by George Duncan |
| Arranger |
Jit Samaroo |
| Musicians |
34 Tenors, 6 Double-tenors, 16 Double-seconds, 6 Double-guitars, 7 Triple-cellos, 8 Four-cellos, 5 Quadrophonics, 4 Four-tenor basses, 6 Six-tenor basses, 6 Six-basses, 4 Nine-basses, 18 Rhythm section. Total 120 |
| Recording date |
16/17 February, 1996. 10.00pm - 3.30am |
| Venue |
Panyard, 138 Charlotte Street, Port of Spain, Trinidad |
| Engineer |
Simeon L. Sandiford |
| min |
sec |
|
| 0 |
00 |
Panyard ambiance. |
| 0 |
14 |
Count and Introduction in A flat. |
| 0 |
48 |
Crescendo. |
| 0 |
55 |
Verse. |
| 1 |
35 |
First part of chorus. |
| 2 |
13 |
Second part of chorus. |
| 2 |
28 |
Third part of chorus. |
| 2 |
39 |
Variation on de Fosto's original "bridge". Cellos play melody. |
| 2 |
58 |
Reharmonization of verse. Tenors take lead. Background pans play counter melody. |
| 3 |
09 |
Cellos play melody. Tenors solo on verse. |
| 3 |
39 |
Variation on first part of chorus. Tenors play melody. |
| 3 |
49 |
Tenors play chromatic "run". Basses play melody. |
| 3 |
58 |
Double-seconds, Double-tenors and Four-pans play melody. |
| 4 |
18 |
Variation on second part of chorus. Basses play melody. |
| 4 |
26 |
Tenors and Double-tenors play descending chromatic "run". |
| 4 |
33 |
Tenors play variation on melody. |
| 4 |
43 |
First "bridge" to change to second key. E flat. |
| 5 |
00 |
Double-seconds solo on melody. |
| 5 |
42 |
Cellos solo. Tenors accompany. |
| 6 |
17 |
Chromatic "run". |
| 6 |
21 |
"Jam". Basses play melody. |
| 6 |
35 |
Double-seconds, Double-tenors play unison passage. |
| 6 |
37 |
Basses solo. |
| 7 |
01 |
Second "bridge" to change to third key. G. |
| 7 |
16 |
Tenors, Double-tenors solo on verse. |
| 7 |
58 |
Crescendo to change to fourth key, E minor. |
| 8 |
11 |
"Chutney" variation on first part of chorus. |
| 8 |
41 |
Variation continues on third part of chorus. Tenors, Double-tenors and Four-cellos simulate tassa drums. |
| 9 |
09 |
Modulation to change key back to G. |
| 9 |
12 |
"Jam" on first part of chorus. |
| 9 |
39 |
Crescendo. |
| 9 |
42 |
"Jam" on second part of chorus. |
| 9 |
49 |
Double-seconds, Double-tenors, Cellos play unison passage. |
| 9 |
52 |
"Jam" continues on second part of chorus. Basses play melody. |
| 9 |
57 |
Entire orchestra plays third part of chorus. |
| 10 |
04 |
de Fosto's original introduction. Cellos and Double-tenors play melody. Tenors "run" in semi-quavers. |
| 10 |
25 |
Modulation to change to original key, A flat. |
| 10 |
35 |
Double-tenors and Four-cellos play melody. Tenors "run" in semi-quavers. |
| 10 |
55 |
Reharmonization of verse. |
| 11 |
36 |
Jam in "dub" on second "bridge". |
| 11 |
51 |
Drum solo. |
| 11 |
56 |
Chorus. |
| 13 |
07 |
de Fosto's original "jam". |
| 13 |
17 |
Tenors, Double-tenors and Four-cellos play unison passage. |
| 13 |
22 |
Finale. |
© 1996 Simeon L. Sandiford/Jit Samaroo
| Simeon
L. Sandiford 23 King Street, St Joseph, Trinidad, West Indies Tel: 868.663.1384 Fax: 868.645.2205 Contact us here |
![]() |